
(Please note: You can also read this review at
The Christian Manifesto, where
I'll be contributing reviews of music and books, starting with this one.)
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There is a trend right now among younger Christian musicians to update the music to old hymns by dead guys and release albums with these “new” songs (see albums by
Passion,
Sovereign Grace Music,
Na Band,
Soujourn, etc.). This trend can be attributed to multiple reasons, but I think two prominent reasons are: 1) The songs are good and have stuck around for a reason, and 2) In reaction to the gushy-love-song type of worship of the past decade or two, there is a renewed interest among young people for theologically robust worship songs and a connection to the church's history.
The need for deeper theology among young people can be seen in the success of websites like
TheResurgence.com, a ministry of Mars Hill Church in Seattle and headed up by Mark Driscoll, a growing favorite among Christians in their 20s and 30s. The Resurgence has already branched out into publishing with Re:Lit, and now, with
Re:Sound, Mars Hill worship pastor Tim Smith is taking them into the arena of music production. The first full-length album to be released is Rain City Hymnal, which takes 12 old hymns and transitions the songs into the 21st century beautifully. Producers Brian Eichelberger and Joel Brown bring together 5 different bands (The Northern Conspiracy, Ex Nihilo, Team Strike Force, E-pop, and The BCG) and create an album that has a palpable cohesiveness amidst the diversity. The album is available for a limited time for free (by giving them email addresses) or for whatever price you choose to pay at
NoiseTrade.com. After that, it will be available for purchase through more “traditional” avenues.
The album kicks off with “Doxology,” a brooding, atmospheric version of a song I grew up singing as the offering was collected every Sunday in church. The driving baseline throughout the song sets the tone for a lot of the rest of the album, and the song builds to a great crescendo. Needless to say, this version would not have gone over well in that extremely conservative setting, but I really enjoyed it in this setting.
Other favorites on the album include “We Have Not Known Thee,” which laments our tendency to neglect God while asking for the grace and strength to do so better. The back and forth of a female voice on the verses and male on the chorus works extremely well, and the melody is almost haunting. “I’ll Fly Away,” with its acoustic-piano rendition of a classic is also a standout. The album closer, “Man of Sorrows,” took me to another place and made me feel as though I was sitting at Mars Hill Church, having just heard a sermon of the cross of Christ, and was now singing my heart’s response. The song hits just the right tone to match lyrics such as, “Bearing shame and scoffing rude / In my place condemned He stood / Sealed my pardon with His blood / Hallelujah! What a Savior!” The song slowly builds and makes you want to raise your hands in praise to Christ for what he’s done for us. Stunning.
With so many trying to update old hymns, an album has to be really good to stand out, and this one does. The music is great, but not distracting from the truth to which it points. While the style of the songs might not appeal to everyone (and the mood of the music is quite somber on a number of the songs), I would definitely recommend this offering.
Tim Smith states in the liner notes, “Our goal in all this is first, to make Jesus Christ, our Lord and Savior, look great.” Mission accomplished, Tim.
Rating: 4 out of 5